Showing posts sorted by relevance for query Further Adventures Of The Time Being. Sort by date Show all posts
Showing posts sorted by relevance for query Further Adventures Of The Time Being. Sort by date Show all posts

Friday, August 6, 2010

Further Adventures Of The Time Being - Lyrics - Church

Title: Further Adventures Of The Time Being
Artist: Church
Composer(s): Steven Kilbey, Tim Powles, Marty Willson-Piper

Lyric:
They built the pyramids, toiled with tons of stone
Irrigated deserts, made giant golden thrones
Built palaces in India and a dome on the moon

Illustrated ceilings, praised God with strange choirs
Fed the five thousand, built cities of spires
Felt the pull of science unravel in their minds

Charted celestial bodies and were punished for their finds
Conquered snow-peaked mountains, drove jungles to retreat
Were drowned in vicious rapids and were heralded for their feats

Fantasized in Babylon, built a home in space
Scaled the walls of China against all human odds
Won battles without hope and saw men turned into Gods

Still they hide their faces well unbetrayed by Heaven or hell
Only traces to be found although their history resounds
Disconnected they displayed all the discoveries they made

And now they wander 'round the earth beyond the realms of death or birth
If you look, you'll see them there like clouds hangin' in the air
And they said the earth was flat, sailed off the world into a vat

Turned the planets into toys then played marbles like small boys
Invented love, invented hate, hung them off the arms of fate
Hear them whisper, hear them speak, seems they found what we still seek

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Sunday, August 1, 2010

Johnny'S Camaro - Lyrics - David Wilcox

Title: Johnny'S Camaro
Artist: David Wilcox
Composer(s): David Patrick Wilcox

Lyric:
"Can I have another quarter?" he said.
"What?"
"Can I have another quarter?"
"Why?" she said.
"Uh, I dropped it," he said.
"Sure," she said, and she handed him another quarter.
And he reached out of the window there, and dropped it in the toll basket.
Up comes the gate, and out comes...

Johnny's Camaro, Johnny's Camaro
Johnny loved his Camaro, maybe more than life itself.

Oh, it was no big deal, he was just taking her to the airport.
It was autumn in New York City.
It was springtime, however, in Africa.
She'd been saving up her money.
She was going to go on one of these outward bound trips,
so he was just giving her a ride to the airport.
And around and around the airport they went,
through that parking garage, looking for a parking space.
"There's one," she said.
"No."
"There's one," she said.
"No."
You see, actually it takes two parking spaces...

for Johnny's Camaro, Johnny's Camaro

He's a little nervous walking through the airport.
He's always looking back over his shoulder.
"You can go back if you want," she said.
"No, no man, I'll stay."
And he did. He stayed until the plane took off.
Then he ran back.
But meanwhile, she was high up over the city.
She was looking down.
She was looking down at the lights of the buildings.
She was looking down at the lights of the boats on the water.
She was looking down at the lights.
You could see them crossing the bridges,
and through the little canyon streets.
Little tiny, diamond toward you and ruby away.
You know, those little tiny moving lights.
And she knew that one of them was... well you know.

Man, I've got to tell you about the adventures she had in Africa.
I think I should start with the silver bracelet,
I think that's where it all turns around.
She hadn't been on the trip long and one of the guides sort of
took her under his wing.
'Cause she was sort of startled easy,
she was a little nervous about being out there.
The first time she got sunburned through her hat
she realized she was a long way from home.
She had just left the group for a little while one day,
she had just went to take a pee,
she said "I'll be right back," but she didn't come back for a while.
And this guide, this African man went to look for her.
"Laura! Laura?"
He found her standing on the lowest branch of a fairly tall tree,
way off the ground.
"How you get up there?"
Well, she had jumped.
"Why?"
Well, there was a hyena, and they had told her about hyenas.
They have jaws that can crush bone.
She wasn't in a real confident position anyway,
and she just ran, and there was the branch.
She jumped - one hand slipped, one hand held.
She was not coming down.
"He's gone."
So now she trusted him, and she swings back down
and both arms straight, hanging from that branch,
her feet are four feet off the ground.
Man, she didn't know she could jump that high.
Ah, but she does now.

It was changes like that that made him give her that silver bracelet.
It was the one that he'd always wear kind of between his elbow
and his shoulder, kind of wrapped tight around his arm.
It was a beautiful silver bracelet, and he bent it down a little bit to fit around
her muscle there and she smiled.
So much so that it startled him.
So much so that on the last day of that trip, when they were getting
back on the bus to go to the small airport to go back to the big airport
to go across the ocean to go back to... you know,
when they were getting back on the bus, she leaned out the window
for that last little cheesecake snapshot
and as he looked through the camera, he had to slowly take the camera
down, and turn his head to the side a little bit, look a little bit
sad and say
"How you get up there?"

She was dreaming over the ocean
Dreaming of being home again
Dreaming over the ocean
Of what would never be the same.

Well, he wasn't at the gate when she got into the airport.
He must have been looking for a parking space.
So she just walked through the airport,
you know, and it wasn't like before.
Now the airport seemed kind of small.
The airport seemed kind of stuffy, the ceiling was a little bit low.
And everyone was getting out of her way.
I don't know - well, actually I do know.
Maybe it was because it had been winter, you see,
and she had just come back from summer.
And she was just dressed normally. Everyone else was bundled up,
but she had on her hiking boots and her shorts and her tank top,
her hair tied back, and a knife on her belt, and a big old silver bracelet,
I think it was the silver bracelet,
but everybody was getting out of her way.
She didn't see him 'til the backpack comes rolling down the
old baggage claim, and suddenly there's this arm
and this voice saying, "I'll get that."
And she says, "Hey, that's my backpack, gimme it. Where're you parked?"
So he reluctantly gave her the backpack,
and she swung it over her shoulder
and they went out and carefully nestled it in the trunk.

And then, out of the parking garage and into the city.
And she had to lean out the window,
she pushed the button and made the window go down
and she leaned out a little bit to feel the wind in her hair.
Man, this is the wild place to be.
I mean, this is the place,
she has to lean a little further out of the car just to
just to see it all, just to look up at some of the buildings.
As a matter of fact, she leaned a little farther back
so she could look back behind
and watch those big tires rolling on that pavement,
and then suddenly the window came up
and she comes back in, startled
and sure enough Johnny's got his finger on the power window.
And he's looking at her like,
"Will you get your feet off the upholstery!"
The upholstery, the upholstery. She forgot. How could she forget?
Well, she'd been in Africa. Come on!
She took her feet off the upholstery.
As a matter of fact, she took her feet off the upholstery politely.
As a matter of fact, she folded her hands in her lap
and she settled in for this ride.
I saw just a glint of a smile as she turned her face to one side.
Maybe to feel the plush upholstery brush against her cheek.
Maybe to see the lights of the graphic equalizer on the stereo
reflected in the side window.
Maybe to watch that lone drop of water make its weary way across
that perfectly waxed surface.
But I think it was just to enjoy this ride...
this ride...
this last ride...

in Johnny's Camaro, Johnny's Camaro.

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Thursday, August 19, 2010

Show 'Em How We Do Things - Lyrics - Lord Finesse

Title: Show 'Em How We Do Things
Artist: Lord Finesse
Composer(s): Red Simpson, Don Rich

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Lyric:
Aw yeah, I got brothers from around the way in the house, you
Know what I'm saying? Yo check it out, check it out
I got my man Shel-Rumble in the house
I got my man Harry-O in the house
I got my man Rock-A-Lot in the house
Yo, yo, we gonna do it like this, check it out

I know some brothers with the skills to rock right
Problem is they don't be getting no spotlight
They got potential as good as any others
So I'm a take time out to kick it with them brothers
They brothers are professional, crazy intellectual
Just some fellas I got to give credit to
They rolling strong, know right from wrong
They got skills, so I got to put 'em on
So Shel-Rumble (what's up?) Since this is a three man crew thing
Put down the 40 and show 'em how we do things

Shel-Rumble, yeah, that's the name
I'm a kick this off just like a football game
I'm stepping out with my mic in my right hand
Bagging up rappers and throwing their rhymes in the trash can
They play the roll like they hard but yet they sit off
Put me against the best and I'll still get my shit off
I'm like Simon so you'd better do what Simon says
I'm not Christopher Williams, but yo, I'm making promises
My style's treacherous, it's so impetuous
I'll go all out if a chump tries to step to this
So hear the flavor through the speakers
I get the ladies strung just like sneakers
I'm a brother who's too hard to touch
Cause if you try my crew we'll jump in just like double dutch
You'll get bombarded if you come unprepared son
Cause yo (there's no such thing as a fair one)
So step, to avoid a fucking crack tooth
Rhymes are insulated, that means I'm wack proof
You're just the opposite, you're nothing but a small fry
Weak MC coming up for a black guy
So don't provoke a saga
Cause you'll catch amnesia just like the central park jogger
That's what happens when cases gets drastic
I'll give you two options, step or get that ass kicked
So, jot this down before you hail a
MC getting shit sewn just like a tailor
I get smooth, rough, rugged, raw, and swift
Too tough to bluff, so rough you just drift
Away, now can I get a hip-hip hooray?
I say shit that you never would have thought to say
Rhymes poured just enough so we can quench your thirst
I guarentee I'll have you saying "kick another verse"
Or, if you feel that's not your style
I guarantee you'll be laid back with a Kool-Aid smile
On your grill, you chill, I'm for real
As my rhyme fulfills Shel-Rumble got skills
I flaunt the gift on the mic the way a man should
Even old folks be saying (that boy is damn good)
Cause I flow so perfectly
That's why so many motherfuckers worship me
I got skills, but that's not why I'm here
I'm here to let you know I rock it like a pioneer
So Harry-O (what's up?) You way far from fronting
Won't you get on the mic and show the people a little something

Yo, brothers grab the mic and plan on waxing me
But since they're no match to me they can't do jack to me
The great rap pros slay rappers for fun
Bust rhymes like a gun so run son or get done
My rap style may change like a cashier
As I bust ass with shit I wrote last year
So MC's step up and press your luck
I don't give a fuck, I roll like a fucking Tonka truck
I watch MC's get silenced when it comes to a challenge
Cause the shit I kick is knocking niggas off balance
Watch 'em fall and crawl just like a baby
Heading for the door yelling "save me, save me"
Don't attempt to attack me, just shut your trap, B
Don't have me grab the mic and bust your ass like an acne pimple
Cause ripping shop is simple
I tear mics up while Rock rips the instrumental
A part, so don't start up a seminar
Cause we'll bust your ass word to God, you can send Allah
My DJ's no joke, and I'm hype, folks
So fuck around and get your turns and your mics broke
I take no shorts here, this ain't last year
I'm getting swift, elevating in fast gear
I create rhymes and kick them, never will I fall victim, yo
Brothers know the rap pro can flow
And rap norm, both off and on platform
You couldn't turn me off if I was hooked to a platform
I get raw like bloody liver, make a rapper shiver and shake
So make no mistake you're stepping to the great
Rap pro, I get raw cause it's natural
My cousin sport a fade and half-moon, I sport an afro
Friends call my Harry-O, my real name's Harry though
I scream on rapper like the niggas did to Carry, so
Finesse (yeah yeah) my man, my cousin
I know you're going to kick some shit

You thought I wasn't?
When it comes to being funky I'll show you who the boss is
(Yo money rock that shit!) Hold your motherfucking horses
Wait up, hold up, I sport the low cut
If rap was a game I'd leave opponents on a doughnut
Funky warlord, top on the scoreboard
Dissing Finesse, that shit is uncalled for
Brothers front and fret how they roll correct
Grab the mic and think they pose a threat
Talking about all the brothers they coulda killed
I don't care if you're a New Jack or you're older than Sugar Hill
Cause I slay with no delay
I stomp you out, so be about your way
You can't hang, you're still in the slow poke zone
You're helpless like a patient in an old folks home
So keep up with my further adventures
I'll have it going on til I'm old with dentures
I rock parties and tear the roof off of houses
Think I can't? Put your money where your mouth is
Give me a mic, let me clear my throat
Guaranteed I'll send you home broke
Fast and quick cause I'm quick with the gift
Give me my money I don't wanna hear shit
And those who can't rap, I don't wanna hear jack
I dust opponents in two minutes flat
When it's showtime, MC's they don't wanna fight
They start bitching saying (Why he have to come at night?)
It's the Funky Man the brother with the new swing
Lord Finesse just showing you how I do things

Yeah, like I said
Got the brothers in the house Harry-O and Shel-Rumble
Rock-A-Lot, my man Jazzy Jay, and I'm outta here like Sugar Ray, peace

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